The Story Bone
I was blessed with a deformity. Linking my modulla-oblongata to my cerebral cortex is a story bone. I discovered this personal anomaly about six years ago, believing it to be just another part of a mostly scattered brain that seldom sees use, much like the part that is in there for the express purpose of deciphering poetry, or the way too thin slice that is supposedly dedicated to resolving algebraic equations; those sleepy sections of my brain which always lie lowest when called upon for duty, but I was wrong. It seems that for all of those undiscovered years this story bone I have was actually hard at work up there, collecting trivial data; facts, figures, moments, sayings, useful little behavioral oddities in myself and others. This little bone was observing, categorizing, possibly even unknowingly creating experiences to be gnawed upon at a later date. No one would have guessed there was something in there so hard at work. Well, maybe my mom might have guessed, certainly not my dad. My wife was absolutely flabbergasted to find that I had a bent for storytelling, but then we were twenty years “in“ when the bone was discovered, and my brain had given her few previous indications of activity… but then it wasn’t my brain she married me for, was it?
You have found your way to this site, so I will presume that you possess a story bone as well, though yours may still lie dormant, so that you have no idea what I am talking about. For this reason I will try an analogy to better acquaint you. With nothing else to compare this section of brain too, and having one currently lying at my feet, I have chosen to use a dog with a bone, thus the title. You have observed, I am sure, how when a free-willed dog happens upon a bone in the great out of doors she will pause before approaching it. She will circle it, inspecting it from many angles, giving it a wide berth and testing its scent before creeping still closer, her nose curious, her mouth watering, yet allowing her cautious instincts to remain predominant, as this is a confusing situation. ”Who,” the dog wonders as it creeps forward, “would leave a perfectly good bone right out here in the open where any dog that chances past might find it?” Who indeed? So the dog stops her creeping to take a sly glance around for a moment, her posture tense, her head lowered, her eyes raised wide, expecting… someone? But the way seems clear, and all smells kosher, so her nose sets back to working til she has crept overtop the bone. After one more quick glance she picks the bone up with careful incisors before dropping it again and taking a quick leap back, feeling out for booby-type traps. When nothing happens, emboldened, she will pick it up for real this time, harder, testing its mettle with her jaws. Satisfied she trots, prances more like, proud of her find to some more likely nearby locale where she can lie down in a dewy, grassy spot grown cool and thick under the warm morning sun. Here she will drop the bone again for another look around and give out a happy, slant-eyed pant before reaching a clawed paw to pull her treasure closer up between her knobby knees for enjoyments’ sake.
Now, hopefully you can see what I mean when I say “story bone”.
Because I am the same with a story as that dog is with her bone. Satisfied with this idea I have found I must take time now to gnaw over it, to claim ownership of it, and to give it a good working over until the delicious marrow is freed from it’s hardened shell to the delight of my more delicate senses… and hopefully to the delight of a reader’s as well, though that is not the end game. The real thrill is in finding that my curious nose was right! That there is something up there! Some indescribable sweetness inside that time-toughened shell of mine that has waited all this time to ooze satisfyingly out onto a late-night blue-screen. And I have used it enough now to know the bone is there to be dug back up at will and re-enjoyed, and oh, what a delightful pleasure that knowledge affords me.
I have a story bone!
Of course, I would like to write better, but not so much to the point that I would actually try to improve my writing skills. I mean, I have no interest in taking courses or some other such nonsense as that. It is more-so like a wish to be a better writer; a sophomoric fantasy like wanting to hit the big home run in the championship game, or to have the head cheerleader call me up after school one afternoon straight out of the blue. Writing better is one of those things that is never likely to happen, but is of little consequence regardless, as what I always was capable of was stealing home plate after a bunt single. And Meg Bell (who was certainly no cheerleader in the classical, nor costumed sense) did call me up after school one day with a rather incredulous offer, so… cheerleaders-schmearleaders, say I. Bigger ain’t always better! After all, in the grand scheme of things is a run scored not a run scored? Does it really matter how far the ball travels so long as you have rounded third base and are digging for home? Meg Bell would not have thunk so (but that is a different… and probably better story).
Say, where did I put that darned bone anyways?
But anyways, by wanting to “write better”, in my case I refer to the more refined aspects of writing; typing, spelling, sentence structure… the trivial technicalities of writing, those things that make a story easier for a reader to continue his navigation, and which possibly even makes the writing itself easier (I wouldn’t know much about that). You see, it is never my intent to write for perfection. I write for the juice of it… the marrow. I gnaw the bone. My words, when it is good, when they are good, come out of me with the build-up and force of an ejaculate. There is no time for punctuation. No room for worry. There is only a splatter on the page, with no thought of facial expression, or sounds made, or toes curled as the scene sets, watching as the character comes to life, waiting, his drama building. Not until “it“ comes, that is... the resolution; that deep breath at the ending, along with the realization that this thing that happened to my poor character did not and could not happen alone. There is someone here along with him to consider, someone coaxing him towards the final thrilling paragraph… a faceless, fantasy reader. Eee-cads! But I hope I have pleased this lover of stories as she has pleased me by riding along with!
And that is the time for sad reflection, the end. That is the time to recall the misplaced comma, or the run-on sentence, those uglinesses found in retrospection that will drive your reader into the welcoming arms of another’s words, and you to a lesser writing app where your short-fallings are as yet unrevealed. Proofing is not the fun part, though your reader will appreciate some careful, introspective examination of narrative styling and dialogue. Don’t be proud. Gnaw the bone. Skipping this step while caught up in a writer’s high is an easy though deadly mistake, and has embarrassingly driven more than one typo-prone writer away from Prose forever, thank God.
Fair warning: In your rush to share the tale, don’t fail to tell it well! Gnaw the bone.
I have been guilty of rushing myself, and most certainly will be again. I do get tired of proofing. Especially as my bigger OCD problem lies not with form or punctuation, but in seeking the perfect descriptive word, for the perfectly descriptive sentence. I am more particular about character names and settings than the reader could possibly care about. Those are the kinds of things I notice while re-reading and I change them, and change, and change them again while the poor grammar remains bleeding on the sidewalk in desperate need of resuscitation. It is good that I am not an EMT, else bodies would pile up while I straighten ties and re-apply lipstick.
I am very selfish with my story bone. I enjoy it best alone, so I dig it up in the early hours while the world sleeps. The bone is a fickle and moody thing, so I never know what I will get once it is unearthed. Sometimes it tickles me, and sometimes it makes me sad. Sometimes it is angry and sometimes grateful, or maybe those are my thoughts as I chew the fat of my mind, it is hard to say which, but no doubt it would not happen without the bone, so to it goes the credit. I have fashioned myself it’s tool, rather than the other way ’round. I do it’s bidding willingly, as I would miss it if it went away as I suppose it could, just as it appeared to me, dropped down from out of the ether.
So the credit for any success I have enjoyed through my Prose ramblings, the nine likes and two reposts, must go to my story bone, as I am nothing without it. It seeps the goods out while I merely chew and lick, and lick and chew until satisfied. And once satisfied I carefully re-bury the bone in its secreted spot so that it cannot be found by another. (Oh, to think of the joys Pooky-Bear might discover were she to happen upon my bone, and the stories she might tell from it, heaven forbid.)
So there it is, per ‘Ol Huck. If you want to be a writer, go to school and learn technique. But if it is stories you must tell, damning the formalities, then you‘ve got to be a dog. Go find your bone and chew it. Suck the life and marrow from it. Exhume it often and then re-inter it for another day.
So there. You are now in on the secret, and it is the only way.
Find your story bone, young pup, and give it a good gnaw.
Daddy’s Girl
A two-toned, red and white Chevy pickup truck was parked in a bare spot which wouldn’t grow grass underneath the shaded limbs of one of the two magnificent pecan trees which dominated either side of the old farm house’s front walk. From the covered front porch the excited voice of Eli Gold could be heard describing action from The Charlotte Motor Speedway clear out to the road, even through the hand-sized transistor radio. Beside the truck, his sleeves rolled up to his elbows and a dripping sponge in hand, a man was caught in a curious pause from his truck washing, having stopped to watch his four year old at play. The child was behaving in an unusual, if enticing manner, having climbed down inside her pink, pedal-powered plastic Barbie car to remove the bicycle-chain linkage which acted as the little car’s transmission. The man’s ’Lil Miss had managed to identify the master link, then had used some unknown tool to pry it apart, and was currently attempting to shorten, or tighten up some slack which had grown with time and use between the gear sprockets.
The man with the dripping sponge didn’t have nearly enough time at home with the kids, so it was with great effort that he resisted the urge to jump in and help his baby girl, though it appeared that his youngest had gotten herself into something that he was uncertain if she could resolve on her own. A good father, the man determined to let her try, just as he would have let her older Bubba try.
The child’s chubby, undeveloped fingers struggled with the tiny pieces of linkage. He watched as she dropped a part, found it again, and spent some time figuring how it fit back with the larger pieces. But she did figure it out! His pride swelled nearly to bursting as he watched her remove a link from the chain and slowly jigsaw the thing back together. Unable to contain himself any longer the man finally did step in as his little girl fought to snap the master link back together again, knowing she would not have the strength to do it.
”Here.” He handed a pair of pliers up under the toy car’s chassis, then he watched on amazed as his Missy pondered the pliers for a long moment before finally gripping them correctly, centering the linkage between their jaws, and snapping the chain almost expertly back together with them.
”Fixed it.”
”Yes! Yes, you did. And you made a nice job of it, too!” There was no camera present, so the man made a snapshot of the moment in his mind, desperate to hold on to the memory of it forever.
But the child’s expression remained serious. She took the car in a quick, neat circle around her father before handing up the pliers to him. ”It needs woobwicant.”
After a moment lost in translation the man chuckled aloud, the pride which had swelled his breast having pushed its way up through his choking neck and into his eyes, embarrassing him no little bit. “Yes Missy, it probably does need some lubricant, but how could you know about that?”
”Fiwabaw is teaching me to be a wace caw dwivuh.”
”Fiwabaw? Fireball? Fireball Roberts?
The girl’s smiled sparkled. “Yea! Fiwabaw!”
”Honey, Fireball Roberts has been dead twenty years!”
Ignored, the man was forced to keep up as the little car sped off towards his tool bench in the barn, and the can of 3in1 oil atop it. He watched from the doorway as his baby girl expertly held the can in place, turning the car’s pedal to rotate and lubricate the entirety of the chain beneath the can’s dripping tip as if she’d done it hundreds, or even thousands, of times.
”Fireball Roberts, huh?” He smiled as he said the name.
”Yea! Fiwabaw!”
You know, Fireball was your Grampa’s favorite, back in the day.”
”Yea! Gwampaw!”
The truck gears ground down as the man pulled out onto the highway towards both town and the Western Auto, his Lil Missy perched happily up on the seat beside him. Momma wasn’t gonna like it one bit, but who was a mother to interfere with fate?
Daddy’s girl was getting herself a go-cart today!
The Robo-Ghost
The best thing about the internet dating sites is what they’ve done for her confidence. She used to think she was attractive, now she knows she is hot. Now she dresses hot, more revealing, while tight-roping on taller heels. She acts differently too, now, but that is the worst thing about the internet dating sites… what they have done to her confidence.
She only swipes on the best, and they always swipe back. Always. She is hot. Super hot. She must be. She is a princess. Doesn’t a princess deserve the best?
But dating is different these days. Men don’t buy dinner anymore. Movies are a thing of the past. Dating is drinks now, always drinks. After two she’s tipsy, having not eaten. Tipsy enough to be silly… and friendly. But guys like silly… and friendly. She is proof. They like her. They always like her. After her third drink she wants to dance. They accommodate her. Why not? Dancing is cheap enough.
There are more drinks at the club, and the pounding-rhythmic music she craves, and sensual, hypnotic gyrations. She finds herself all in, every time. After all he is tall, nicely dressed, and he smells fantastic. They all smell fantastic. Don’t they? Those most desirable guys on the dating apps? She could smell them all night, and she usually does.
There are mirrors at the club. She looks hot in the mirrors. So does he. She knows this because she sees other women looking. They’ll even pass him a napkin when her head is turned, forgetting the mirrors. This is ok though. She doesn’t mind it. She wants them to want him. Why not? She is super-hot. His eyes are only for her, and she knows it. She likes it. He knows where this night is heading. Where she is leading it. Besides. Would she even want him if no other women did? No, of course not. In fact, their interest fuels her. It excites her, so that she dances closer, backing herself against him, arching her back, watching herself in the mirror, moving to the music, fueling his excitement. And he is excited. She can feel his excitement. And she is hot. She can feel this, too. And knowing she is fuels her.
And the sex is always fantastic. Always… what she can remember of it. And there is always sex. And always at his place. Always. But somehow on the Uber ride home, she never feels hot. She never looks hot. Not ever. What she looks in the morning light, and what she feels, is washed out and ran through. But no worries. The feeling never lasts.
He won’t call her again.
That is dating today, for those like her, stuck in the robotic grind.
But next weekend she’ll swipe on another. As always, it will be another match. She is hot. So she puts the dress back on, the really tiny one. And the shoes, the really big ones. And she tells herself how hot she looks as she goes to meet this new guy for drinks.
News-flash: It appears that it’s not so much ‘how’ you cope as ‘where’ you cope
To all my friends who might happen to be Jewish,
I am truly sorry for the way you are being treated and will stand beside you to the end.
I hope you are seeing what is happening at the U Of F, Ole Miss, U of A, and UNC, among other great southern universities. For myself, I thank the good Lord for my Southern heritage, a heritage which might have been tainted a ways back, but is standing tall as toddy today. I am on my way this weekend to one of those Southern universities to see my grand-daughter graduate. I would like to thank those kids who have guaranteed that my trip is set off upon with a great amount of pride. I am somewhat ashamed to admit to having and sharing in my stories on this site my poor opinion of our colleges and universities (or more specifically of the educators who are filling those universities with rot), but I am so very proud to see that the rot has not infected you all. That shines!
God Bless America and Yeehaw you Intifada sons of biscuits. Go crawl back under whatever
rock you crawled out from.
Sincerely,
Huckleberry Hoo
Light and Set
The pair had put in a long day of travel and sought a place to ‘light and set’ awhile before continuing on. A cup of hot coffee would do some good for the one, and a rubdown for the other, and perhaps to gather some news on the lay of the land.
The hair curling down from under Johnny Cotton’s Stetson spilled over his collar as snowy white as his name. Another fine bit of it tickled his upper lip, while still a tad more curled over his bronzed and angular chin, the patchwork amounts of them all told the tale on Johnny’s youthfulness.
The gelding was equally as tired and dusty as his rider. The only accoutrement on man or beast still holding it’s shine was the well-oiled Colt’s revolver on the man’s thigh, but the shimmering pistol still remained as dark and nondescript as were the horse, the man’s clothing, and the Stetson covering his head. An admitted vanity, his hair was the only thing showy about our boy Johnny. Well, that and the perpetually high arc of a single, dubious brow. Aside from the gelding there had been little in Johnny’s past to allow for trust, not in his fellow man… nor in women, either.
The house Johnny reined the gelding up in front of was little more than a one room shack sitting on the farthest outskirts of a far away one street town. Several things caught Johnny’s eye about the shack, to include a white-washed picket fence which corralled nothing in it’s front yard save several water deprived flowers planted in a neat row along the shack’s front, those and a dead and leafless shade sapling which clung to the sandy soil on the one side of a barely discernible dirt path which led up to the cabin’s warped door; doomed luxuries these, luxuries which few frontiersmen had leftover time to care for, what with the nonstop and mostly brutal industries required just for survival. A man would only supply such things if he truly loved his woman… or if he was pushed to procure them.
The woman, or girl rather, who emerged from the door did not look to be the frontier type, but then, Johnny supposed, who did? Pioneers tended to come from all sorts. She was young, probably not much older than Johnny was. The woman, or girl rather, had the expected youngster on her hip, and another, larger one clinging to her aprons. The tight bun on her head was dark, just as her eyes were, and her expression. She did not appear happy with her life situation, but then, other than dance hall girls Johnny had not known many women who were happy. Nor men either, for that matter. But those dance hall girls sure seemed happy, didn’t they? And why wouldn’t they be happy, doing what they did for a living? And the men with them seemed happy enough too, so long as they were with them, though Johnny had seen plenty who had soured on that opinion come the morning after.
”You want something?” The woman‘s directness was not off-putting.
Despite the appearance of past gentrification her tone had taken on the more casual ‘prairie speak’ Johnny was accustomed to; her “want” coming out sounding more like “won’t”, and the “g” in her “something” remaining silent. “Good,“ Johnny thought. He would not have to ‘put on airs’ either, as the saying went.
”Naw, It’s just your fence is falling down, and your tree is dead.”
”Humph. Ain’t you somethin’.” It had not come out like a question.
”Just sayin’, is all.”
”Man’s gone. You wanna climb down and fix it? I could use another around here.” The hopeful list in her voice was undeniable, but the invitation was not especially appealing, despite her obvious beauty. ”Ain’t my affair.”
”Then why’d you stop?”
”Curious, was all. Don’t normally see these sorts of frew-frews like you’ve got, not out here on the prairie, leastways. How long‘d you say your man has been gone?”
”Didn’t say, but awhile.” The woman, or rather the girl, switched the baby over to her other hip while Johnny adjusted to a more comfortable position in the saddle.
”How come?”
”Nosey, ain’t ya?” She’d gotten pretty good at prairie speak, though the Virginia gentry in her still shone through it.”
”Like I said, curious is all. Though I expect I already know the answer.”
”You just want to hear me say it? All right, then. He was lazy.”
”Figured as much. Lazy, huh? Fields are empty, what happened to the cows?”
”Sold ’em to eat.”
”Pens are empty. You sell the chickens too?”
”Weasels.”
”Pig slough needs tending to.”
”No point. The pigs ran off.”
”And all this happened since your man left?”
”Yep.”
”Hmmm. You are partly right, Mam. Your man might have been lazy, I can’t speak to that, but he sure wasn’t dumb.”
Neither was the gelding dumb. The gelding’s rider might be young, but the youngster had never done nothing to spoil the beast’s trust. The pair had put in the miles together, and sensing his rider’s mood and needing neither a kick nor a cluck to start him, the gelding picked up where he’d left off on the long walk towards town.
This would not be a place to rest.
“Too bad.” The smarter of the pair ruminated. “It might have been nice to light and set, if only for a short while.”
Turn it Up
… turn it up!
Those quietly spoken words follow Ed King’s first, meticulous little guitar riff in the original recording of Lynyrd Skynyrd’s “Sweet Home Alabama.”
I clearly remember riding with my father in his pickup truck back when I was in the fourth or fifth grade (which, by the way, was a long, long time ago). It was the first time I remember hearing the song. Ronnie Van Zant’s words, “turn it up,” rattled in to us from the WANV radio station where my mother worked through the truck’s static-y, AM speakers. I remember watching in awe as my father’s hand subconsciously reached for the volume button. The singer of the song had asked my dad to “turn it up,” and the old man was actually doing it? It was both a mystery, and a revelation at once. My father liked to make it known that he had no use for what he called “hippie music,” yet here he was, “turning it up“ on command. Furthermore, as he was “turning it up” with the one hand his other one was tapping out the beat atop the steering wheel. And even more uncharacteristically yet, Pop was singing along with the chorus!
”Sweet home Alabama
where the skies are so blue.
Sweet home Alabama,
Lord I’m coming’ home to you.”
My father wasn’t big on singing, though he liked music well enough, Hee-Haw mostly, yet he somehow recognized this song well enough that he could sing along in parts. I’d only ever heard my dad attempt to sing a few times, and then he was more likely to be singing along with The Statler Brothers, or maybe The Temptations, some of his favorites. What can I say? The old man was partial to harmonies. At least I come by that right.
Yea, Pop!… turn it up!
I would learn later in life that while recording the song, what Ronnie was actually doing was asking the song’s producer to give him more sound in his headset before he started singing. “I need more volume,” he was telling Al Kooper. Upon hearing the recorded playback Al wanted to edit the words out, but Ronnie stopped him. Ronnie knew he had a great song, and he knew that kids listening in their cars would do exactly what he’d just been telling Al Kooper to do, and conversely what my father had done. Those kids would “turn it up!” And, as usual, Ronnie Van Zant’s instincts were spot on.
Speaking of instincts, less than a week before that recording session Ronnie had called Al up in the middle of the night. “I need some studio time,” he’d told Al. “We’ve got this song, and it’s perfect right now. If we wait the song is gonna change. They always do. We need to record it right now.” So The Lynyrd Skynyrd Band took the long bus ride to Doraville, Georgia, where they laid out their soon-to-be rock and roll classic nearly a full year before the rest of the album was cut. Apparently it paid to follow along with Ronnie’s instincts.
… turn it up, Al!
The funny thing about the song though is what I learned from my dad that day in his pickup truck. Sweet Home Alabama appeals to nearly everyone. While the song is unmistakably rock-n-roll, it somehow manages to take a savvy listener on a four and a half minute southern musical odyssey. The airy, initial pluckings of Ed King’s guitar have a blue-grassy sound, being almost mandolin-ish, while Gary’s country, slide guitar accompanies it. The rhythm section which follows in behind those guitars only complements that bluegrass sound with a slow, very steady, stand-up bass feeling. When Ronnie’s voice joins in it is light and articulate, coming off as being almost untrue to his redneck persona. When the Honkettes (JoJo, Leslie and Cassie) join Ronnie in the chorus their harmonies bring in an almost hymnal quality, their “ooohs and aaah’s“ raining down from the holier, upper pews. The guitar solos are steeped heavily in the Memphis blues, and the sprinkling in of boogie-woogie piano finishes it all off. The music itself is very nearly the coming together of all the great, southern musical styles into one pop-rock perfection.
And then you have the lyrics. Home is what the song is about. It tells you right there in the title. The song is about home, about wanting to be home after a long stint on the road, and about loving one’s home, warts and all. Yes, the song was inspired by Neil Young’s song “Southern Man”, and yes Ronnie takes a pretty good dig at Neil Young in the second verse, but that is all in loving one’s home, and in refusing to see it disparaged by someone who isn’t even American, much less southern. “Fix your own house before you stick your nose into mine,” Ronnie fairly enough reminds Neil Young, “A southern man don’t need you around, anyhow!” It was the early 1970’s, a time when it was already rightfully difficult being southern, but no weed-smoking, sandal-wearing Canadian had any business piling on, did he? Young had tried it twice now, beating up on southerner’s, but not again he wouldn’t. And the funniest thing about it was, Ronnie wasn’t even from Alabama. But even though he never lived there Ronnie felt a kinship to her people, people who were sharing the same struggles that his folks over in north Florida were.
“Big wheels keep on turning.
Carry me home to see my kin.
Singing songs about the southland.
I miss Alabamy once again (and I think it’s a sin, yea).”
For fifty years now I’ve rocked out to “Sweet Home Alabama.” I’ve heard it hundreds of times, maybe thousands, and I still “turn it up” every time it comes on, my toes instinctively tapping along to the radio. I heard it at the end of Forrest Gump, when Jenny and Forrest had become “like peas and carrots once again.” Reese Witherspoon made a whole movie out of “Sweet Home Alabama.“ The song has been covered by just about everyone; to include Nirvana, Rihanna, Poison, and Justin Bieber. Kidd Rock wrote a tribute song about this song that was a response to another song. I’ve heard symphony's attempt it, and marching bands, and even a bagpipe ensemble. I live in Nashville, where you cannot to this day walk down Broad Street without hearing it blare from at least one live music bar, and more often then not from two or three at once.
Oh yea. I’ve heard Neil Young do the song he inspired too (and he did it with much respect, too. Thank you for that, Friend).
Hey Neil! ... turn it up!
After much careful consideration about this prompt I have decided that “Sweet Home Alabama” has what it takes to be the “Soundtrack of my life” (which is not a mantle easily bestowed). It is not my favorite song. It is not even my favorite Lynyrd Skynyrd song, and may not even be my favorite song on its own album, Second Helping, which also boasts Curtis Loew and Swamp Music. But I am choosing it due to it’s popularity, and because the song is very nearly everything I believe I am while also managing to remain relevant for nearly as long as I have been around to hear it. The song is upbeat, straight shooting, contemplative, artistically diverse, it features a fantastic arrangement of driving guitar work, and it brings some attitude along to boot. Those are the very things I am about. That description happily meets me out there afloat somewhere on the big, slowly rolling river that is the Dixieland Twelve Bar Blues.
So take a tip from me, Ronnie, Al, Neil, and my old man. The next time you hear those light, plucky strings followed by Ronnie's suggestion that you, “turn it up,“ don’t just sit there...
Reach for the damned dial, already!
..…
The Pooh Tutorials
It was surprising, how the old house still felt like home. As the great door was clicking shut behind her Eve set her bag down in the foyer and paused for a moment, reveling in a rush of sights and smells, giving herself over to the nostalgia of a sensory teleportation back to her youth, a teleportation so real that she actually heard her long departed father’s welcoming bellow, and watched on amazed as Happy Jack’s giant paws skidded crazily across the hardwoods in his stampede to greet her, his rush followed by the warm aromas of roast beef and cobbler which were stirred up from behind in the big dog’s wake. The hallucinations combined to conjure up a rare smile from this bitter, current-day version of Eve, as they reminded her of how pleasant true happiness can feel.
Isn’t it ironic? How it took Mother’s death to bring about some little bit of joy in her?
Evelyn Forrester goes mostly by Eve now, as she hates the antiquated sound of “Evelyn”. When she hears “Evelyn” she is reminded of the portraits in the foyer of her family home, of the many grandmothers and great-grandmothers sitting solemnly in their guilded picture frames at the sides of their equally solemn (and likely domineering) husbands, men without the good sense to feel the shame of their deeds, but who instead gaze arrogantly down from their elevated positions upon the papered and patterned walls of this house that had once been their home. Eve has just lost her mother, but you should not feel too badly for her, as the two have been long estranged. Don’t get it wrong, Eve is saddened by her mother’s passing (as she would be for anyone’s), but she is in no way left distraught by it. In fact, Eve can barely remember a time when she liked the ultra-conservative woman, much less when she felt love for her, although she actually had loved her, once upon a time.
And Mother’s feelings were painfully mutual, as she made her disappointment in Eve apparent whenever the opportunity arose, the old biddy.
With her mother’s passing Eve has unwillingly inherited the family home. Having avoided it for the past twenty years her initial plan was for a quick sale, the house being much too large for a single woman, although her mother somehow managed it in her later years, and the property includes too much acreage to economically maintain it without farming, which Eve has neither the skills nor desire to do. Besides, it is too far from her job in Savanah, although she could as easily work from home, she supposed, if it came right down to it. Only it would be lonely here, wouldn’t it? As if it wasn’t lonely in Savanah.
On the drive in it became apparent to Eve that the once secluded house now sits in a prime location. The sprawl of suburbia was slowly encroaching, nestling in around the property as one local farm after another has been parceled out to General Contractors who have happily developed them into more of those awful, modern day McMansions until the beautiful, pastoral settings of Eve’s youth have been completely swiped away, and never will be again. She is not sure how she should feel about that, as what has stolen the beauty from her childhood home has also significantly increased its monetary value.
But then Eve finds her thoughts interrupted by another bit of nostalgia… specifically the Westminster chimes of the doorbell which have begun echoing through the foyer, flashing her back to the day when she’d discovered Pooh McCann standing on the front porch with flowers in his hands, flowers he’d picked fresh, just for her. The memory of it brought another smile. Pooh! What an awful nickname for a boy, though he’d never seemed to think anything of it. And poor Pooh had carried such a crush on her back then! Eve had actually gone to the movies with him a couple of times, back in middle school. He’d been a sweet boy, if embarrassingly shorter than her. She had even let Pooh kiss her once, right out there on that very porch. Just a peck mind you, which Eve had not returned.
So it was eerily deja-vu-ish to open the door and find him standing there again, sans flowers, a bigger and better version of the same Pooh McCann, although this older (and larger) Pooh was wearing very nearly the same t-shirt and ball cap he’d worn way back when.
“Pooh?” As it always had when they were kids a snicker escaped Eve when she said his name, although there was really nothing funny about him anymore. Her Pooh was all grown up! He was easily a head taller than she was now, while time and a southern sun had removed any baby-ishness from his face. And below his now chiseled face taut muscles strained against his t-shirt and jeans. Eve’s inability to look away from him flushed her face and neck with a tell-tale signal that Pooh fortunately did not seem to notice. Good God, but her little Pooh was gorgeous!
”Hello Eve. They said you’d be coming in today, and I saw the car in the drive, so… But hey, I’m really sorry about Patricia. Really and truly I am.”
Eve was confused. Patricia? Patricia, her mother? Pooh was calling her mother Patricia? Since when? Before replying, as a woman will, Eve stalled for time by brushing the hair away from her face, giving her thoughts a chance to gather themselves. And what was he doing here now? Had he only come to offer condolences? Or was there something more to this visit?
“Yes, of course. Thank you.” He had come to her, so she would let him begin.
Sensing her puzzled curiosity, Pooh explained himself. “We’ve been planting over here since your father passed. Patricia… err, Mrs. Forrester and I, we split the profits fifty-fifty, her land-my labor. The proceeds helped her to keep the place up, and I have to admit that the extra money has helped us out as well. I have no idea what your plans are, if you even plan to keep the farm, that is. But I thought I’d come on over when I saw the car out front? I hope you don’t mind. But if you do decide to keep working it, and I hope you will decide to, we’d love to continue helping, but if so we’ll need to get started soon. It‘s already pretty late in the season, you know?”
No, Eve did not know, and she did not like not knowing. At her own job she was used to being in command of every situation. Her every intention had been to sell, up until now that is. But this might offer a chance to get closer to Pooh, to get to know him again? Who knew… she might even rekindle his old flame?
“You said ‘we’?”
With Pooh’s attractiveness still stimulating her Eve readily stepped onto the porch to see where his tanned and muscular arm was pointing. In moving closer-up beside him she was introduced to the pleasant, musty scent of red-clay soil which emanated from him, and to the the sickly sweetness of motor oil, as well as a cottony perspiration smell that worked into her like magic, reminding her of the favorite, slobber-soiled fabric “Teddy” bear of her childhood, his aromas pulling Eve in and adding to her temporarily addled brain. But as her eyes followed to where his arm pointed her mood was slammed from its clear, blue skies like a shotgunned quail back to a harsh and unforgiving earth.
For over there in the eastern pasture chugged a blue and white tractor. Perched proudly on it‘s seat was a boy of thirteen or so. Another, even younger boy rode shotgun beside that one. Worse, a woman was balancing herself on the tractor’s hitch plate while clinging to the back of the seat. The woman was somewhat pretty, even if she was dressed roughly the same as Pooh was; cute in her own boots, jeans and ball cap, the cap swishing a soft-looking, blondish pony-tail behind it. If she’d felt like being mean right then Eve might have commented that the woman was a wee bit chunky, but she did not feel like it, like being mean, that is. Well, she did feel like it, but she couldn’t, could she? Pooh McCann was not just another soulless stranger who was forced to be nice to her no matter what kind of bitch she acted like just because he was on her payroll, was he?
Shit.
”I don’t know, Pooh. I haven’t decided what I’m going to do with the place yet.”
As they always will do the old, happy memories turned to shit once liquor was poured. And then came the inevitable texts from work. Could the incompetent boobs not even leave her alone to grieve (as if that was what she was doing)? But of course that was what she was doing! That was what Eve always did. And when darkness finally descended she was alone again, only now she was all alone in this gigantic house.
Shit indeed.
Eve woke with a start, her head and her bearings off kilter, to find her old bedroom awash in a glittering, silvery gleam which the midnight moonlight usually reserved for wind-stirred wheat fields, or for heavily rolling waters (although the bedroom no longer resembled her childhood one, as all of her girlish “things” had long since been packed away). Even as Eve watched them the moonlight glitters swirled together at the foot of her bed, slowly taking on the unmistakable shape of a woman, a woman whom Eve at first disdainfully assumed to be her mother, although her straining eyes could not yet make out any distinguishable features through the paleness of it’s light.
But the glitters continued their swirling’s and gatherings, and in her fascination of them Eve forgot to be afraid. It soon became apparent that the glitters floating about were not from the moonlight at all, but were of the woman… or the apparition… or the dream, whichever one “she” was. And sadly, Eve’s drunk and drowsy state refused to let her care, so she simply waited and watched. What was there to fear anyways? If it was a woman, then she would only talk, as that is what women do. And if it was an apparition, then with any luck it would take her mournful soul away... far, far away. And if it was a dream, as Eve expected it would be, then she would simply wake, wouldn’t she?
Eve hoped it was not a dream, as the first two options seemed preferable.
Settled now into their feminine form the glitterings did not diminish, but continued their subtle attack upon the darkness, their numbers brightening the room as they gathered together like wasps to a hive. Thusly illuminated Eve could see that it was not her mother’s form at all, but neither could she deny a shared resemblance with the apparition, even though the matronly ghost looked to be considerably older than Eve’s thirty-six years. Still though, their physical commonalities shone through its glittering wrinkles, as Eve and this ghost shared similarly pert noses, thinly drawn lips, and even the same intelligent brows which arched over the same expressive eyes which judged Eve back from her mirror each morning. Eve found herself vainly comforted by these feminine likenesses, that comfort making her more curious about this midnight interloper than frightened by her. “Who was she, and why had she come,” Eve wondered? She wished she’d paid better attention when Mother had explained those old photographs to her, describing the lives of their family matriarchs. Had she paid more attention then Eve might recognize who this ghostly woman was, but as it stood she had no idea. Only that it must be some figure from her family’s long history.
The minutes ticked by as ghost and mortal examined one another, each curiously fascinated by the other. When the apparition finally spoke it was with a not unexpected directness, as their sort of woman has always felt untethered from any necessity for pleasantries, irregardless of their places on any historical timeline.
“What are you doing?” The apparition’s drawl was too pleasant to be off-putting, it’s southern lilt roundly bending the words, though not enough to actually fracture them. Eve framed the idea that this ghost’s voice was the very sound pancake syrup would undoubtedly make while sliding off of hot butter, supposing it could choose its own sound to make of course; the voice being that smooth, that warm, and that delectable. It was so warm in fact that Eve unconsciously set about mimicking it, and did not do a horrible job of it either, as the ability had always laid somewhere down there in her genetics awaiting it’s moment to emerge.
But it was too vague an inquiry, Eve thought. What exactly did the ghost woman mean? Did she mean “what am I doing this very moment?” Or, ”what am I doing in this house?“ Or was it, “what am I doing with my life?“ How was Eve to know which? She did not know, so she decided to answer from a position of strength.
“I am sleeping in my own bedroom, and minding my own business. The real question is who are you, and what are you doing here?” Eve was disappointed to hear the callous brusqueness in her own voice. She had never before cared that her tone was so grating until hearing this cleaner, undeniably better one.
”Is that what you are doing? Sleeping?“ There was a calculated pause before the glowing woman continued, “And alone, I might add.” The ghost’s un-kind words did not sting nearly so much as the sarcastic smile which followed them.
Good grief! Perhaps this ghost was Eve’s mother? It certainly used the same tone that her mother used. Eve’s nostril’s distended as if she smelled something bad. ”I am fine sleeping alone (“Bitch”, she did not need to add).”
”Are you? Are you really? One thing I know, having once been one, is that no woman living on God's green earth is fine sleeping alone.”
This was a fact. Eve must be more careful. This “ghost” woman was no fool. “My mother slept here alone. Did you visit her, too?”
“Your mother was never alone here. Your mother lived surrounded by those she loved. As for who I am, and why am I here? I am here because my name is Evelyn Rouseau. My husband built this house for me. This is my house.“
”That’s where you’d be wrong.“ Eve did not like this ghost, and was feeling ornery. “It is my house now.”
”Is it? We shall see about that.”
”There is nothing to see. The house is mine, now. It is the only reason I am here.”
”You are here because I called you here, child… before it is too late.” Eve detected frost in the ghost’s tone.
Because of it Eve’s reply was equally cold and quick, perhaps a little too quick, but Eve felt like this ghost woman was getting the better of her, and she didn’t like it, though she regretted her quick words immediately. “Did your husband really build it for you? Or did his slaves build it for you, on land you stole from the Creek natives?”
Even the woman’s smile was familiar to Eve’s, breaking as icily as her own. ”Ahhh. Ashamed of us, are you? That is to be expected, I suppose.”
”You suppose?” Dammit, Eve did it again, but the non-plussed apparition quickly cut her down.
“Those things are not your concern, Missy. I have already been judged, and by better than you.”
The retort was not as vague as Eve wished it to be. She knew exactly what the woman meant by, “I have been judged.” Eve understood it so well in fact that a chill raced down her spine at the realization of it. There is a God! Or, at least something or someone to judge one’s deeds? And that this ghost was here right now, rather than being somewhere better, meant that the woman had been found lacking, did it not? Though Eve did not particularly like this ghost she found no comfort in that knowledge, as the ghost woman had undoubtedly come here for a reason, and that reason was obviously Eve. How lacking must Eve herself be that the dead found her situation dire enough to come back to warn her?
Eve was not such a bad person, was she? Yes, she was tough, but she’d had to be. Eve had worked herself up the ranks in a manly-man’s business. She was strong, and independently wealthy, but Eve could be kind when she felt like it. Her monthly donation to St. Jude’s was quite generous, though it was an admittedly small part of her overall salary, just enough really that she could tell solicitor’s that she, “gave at the office” without any accompanying guilt. Still, it was something charitable, and was more than most gave. She was a decent enough person, wasn’t she? Eve swallowed hard before asking the question that would supply her with the answer she needed, although she prepared herself to parry with an angry response if she felt that the answer given was the incorrect one. “Have you come here to tell me that I am bad?”
“No, Dear. I have not “come here” at all. I am always here. I have always been here. I have only made myself discernible to you now because we are worried about you.”
There was that word again, “we”. Eve was probably not going to like the answer to this question any more than she had when she asked it earlier in the day, but she felt that she had to ask it anyways. “We?”
”Yes... we.” The ghost was apparently not ready yet to humor her with specifics.
”Well then, if you are not here to tell me that I am bad, then what is it you are so worried about?”
”I have already told you what, if you would only listen. We are worried that you are alone.”
Eve chose to try deception. ”I am not that alone. I have friends.”
”Do you?”
So, deception wasn’t going to work. Looking up at her, Eve was relieved to find the ghost’s expression sympathetic. She could not have explained why, but feeling the need for honesty, Eve opened up right at the start with her hardest, most pitiable truth; the one truth she had considered over and over again every night for the past twenty-some years. Yet hearing it spoken out loud only highlighted the ridiculousness of her excuse. “I cannot help that people don’t like me.” Thankfully this admission, right in front of her antagonist, was not followed by the welling-up of tears.
As with any good therapist the ghost did not respond to Eve’s confession immediately, but waited quietly instead, knowing that once the spigot was opened a woman could not turn it off until her pressure was relieved. “Women don’t like that I am strong, and men are intimidated by me.”
The ghost actually chuckled at that revelation. “Are they? Really? The same men who march off to war for you… those men are intimidated by you? By thin, frail, little ’ol you? Hmmm. The same men who kill snakes for you, and spiders? The same men who protect you from bad people, who extinguish fires, and who rescue you from floods? Those same men who would willingly offer you their seats in a lifeboat are intimidated by you? A mere woman? My, you are a special one, aren’t you?”
”But they must be intimidated. I am not terribly ugly. Why else would none of them want to get to know me better?
”The better question for you to ask yourself is, why would they want to?”
”Why wouldn’t they want to? I am pretty, I am educated, I am successful… I have a lot to offer.”
”There are lots of pretty girls my dear. And any decent man already has those other things.”
Eve felt the anger boiling up inside her. “I suppose you are implying that I should cower submissively before a man, like you did when you were alive. I don’t think so, Granny. Women are beyond that now.”
”I am implying nothing of the kind. Come with me, Dear. I want to show you something.”
Eve followed the floating figure down the stairs, and into the foyer where it stopped in front of the painted portrait of a stern looking patriarchal man with an equally unsmiling woman seated at his side, a woman who did not look terribly unlike Eve herself but for the graying hair pulled back in a bun, the lack of make-up, and a very modest, high collared, skin covering dress.
”That is you in the picture, isn’t it?”
”Yes, it is.” There followed a long moment of silence as woman and ghost studied the painting.
”You were pretty.”
”Long before this was painted, maybe. But bearing children ages a woman.”
”How old were you here?”
”Thirty-five.”
Eve’s age? But she looked twice as old! “Oh my God.” Eve didn’t mean to say it out loud, but when she did so the ice she felt in her heart for the ghost melted away. What that man in the picture must have put Evelyn Rousseau through that she appeared so… so worn looking at just thirty-five years of age? “And how old was he,” Eve silently wondered.
”Forty-two, I believe.” The ghost answered without even being asked the question.
Forty-two! Eve would have guessed sixty, or even seventy! “Please don’t take this wrong, Evelyn Rousseau, but the woman in this picture doesn’t have the look of someone who should be preaching about happiness.”
”Ah, that is because you cannot see the whole picture. We were living in serious times, back then. Life was hard, but if you could see down just a little bit lower you would see that Charles’ hand is resting comfortably upon my thigh, and you’d see mine lying atop his. Our hands stayed exactly that way for the full six hours that it took Henry Allen to finish this painting. We were happy. It was a happy day which we both relished. There were not many days when we were able to spend so much time together. Charles had to work so hard! And on top of that, to answer your earlier question, he did build this house, although it was not so large then, and has been added-on to over the years. Charles built it when we were still poor. He built it with his own hands. My father tried to warn me away from Charles, telling anyone who would listen that his future son-in-law was an uneducated nincompoop, but Charles showed him! He was quite competent, Charles was. There was almost nothing he couldn’t, or wouldn’t, do for us.”
”For us? Who else, besides you?”
”Why, the children, of course.” The ghostly figure slid itself over to the next set of picture frames on the wall. The men and women in the two paintings were equally as stern looking as the first, though obviously younger. “These are the two of our six who survived to adulthood. Charles Jr. had his father’s looks, but it was my side his personality took after. We were so proud when Charlie became a doctor, and a good one too, so good that he was made a surgeon during the war. Our Charlie was twenty-three when he caught dysentery and passed. Charlie tried, but he never made it back home to Abby. He passed aboard “The Memphis” right outside of Charleston Bay. His widowed-wife was seventeen, the child he never saw having recently celebrated her first birthday. Poor Abigail never recovered from the loss of him. She moved in here with us, of course. We did our best for her, but she was so distraught. The girl was suddenly husbandless with a baby to care for, and no income. There was war raging all around us at the time. New lists of the dead were arriving almost daily; her husband on one, a brother on the next list, and then another brother on another list. Here was a friend gone, and there an acquaintance. Abigail was so young and innocent, with a heart as big as any ocean. Every name she knew hit her so hard.“ Evelyn looked my way then. “How fortunate you are to have missed all of that, although I would not trade those memories of Charlie and Abby for anything, and will cling to them for all of eternity.
“But here I am,“ Evelyn followed her story sorrowfully. “Going on like an old fool when my time with you is nearly up.”
”No!“ Eve looked down at the row of as yet unexplained portraits. There were so many more pictures, so many more ancestors of whom she knew nothing. Her people. “Please don’t go, Evelyn. I need to know more.”
”It can be learned. There are records. The one thing I can tell you now is this. You are living your life in competition, as though men are your enemy. Men are not the enemy, Eve. With men comes all of this,” Evelyn gestured all around, but mostly down the long row of portraits. “From men comes companionship, love, security, family… life. Without them women are nothing, you are nothing, just as he is nothing without you, and therein lies your strength… that you are as necessary as he is. Be what you are, Dear. And allow him to be what he is. We are destined to suffer apart, but together... together man and woman are eternal.”
It was a bright Georgia sun through the window that woke Eve, that and the chugging of a distant tractor. Had she slept in? No, Eve never slept in! Curious, she donned her robe to check the noise. It was him on the tractor… Pooh! Descending the staircase toward the coffee pot she paused before the first in the long line of portraits on the wall, feeling strangely drawn to it, or rather to the man in it. There was a lot to do today, and many decisions to make. Eve wondered what the man in the portrait would do if he was her? He certainly looked competent enough to make a decision, though Eve suspected that whatever decisions he made would be with the woman sitting next to him in front of mind. In fact, on closer inspection, the man in the portrait looked somewhat like Darryl, that lead engineer at work. Darryl was competent too, he only lacked drive… or maybe it was not drive he lacked, but inspiration? In any event Darryl was undoubtedly bright. If Eve could only find a way to motivate him then the two of them might form a formidable team… possibly even a team outside of work?
Huh. That was a strange thought, when Eve had always worked best alone, but thinking on it, Darryl did have strengths in some of those areas she was trying to improve on. Perhaps they could help each other?
Pausing at the next picture, it was the woman this time that drew Eve’s attention; so young to be married, yet the artist had applied a happy sparkle to her eyes that for some reason made Eve blue. The woman, a girl really, looked too vivacious to be alone… but why would Eve even think that? The girl in the painting was not alone, was she? She had the man that she loved beside her, and a glow about her that not even the darkened oil paints could dampen, and the girl had a whole life left to live, besides. Yet this thought crept into Eve’s mind. ”Fate is fickle, is it not? Love while you are able!”
The coffee on, Eve hurried upstairs and dressed. With cups in either hand she headed out to the field.
The dying of the tractor’s chugging engine created a heavy silence which his smile thankfully broke.
“Good morning!” She held the extra cup up in invitation.
”Good morning to you!”
”I have decided to keep it! The house, that is! And I would like for you to keep working the fields, if you would? I have no idea what to do with them, or how to do it? But I can learn!”
”Of course you can. But it won’t be me working them. It’s really Charlie who worked for Patricia… err, for Mrs. Forrester.”
”Charlie?”
”Yea, my son.” Pooh’s smile was contagious.
Eve was surprised. ”The one on the tractor yesterday? But he’s so young!”
”Nah. You gotta start sometime! Charlie made nearly three thousand dollars working for Patricia just last summer. He’s working to pay his way through college someday, if that’s what he decides to do. Or for a head start on a business loan, whichever. Of course, I make him rent the tractor, and pay for the seed.” Pooh winked knowingly at her. “At least he thinks he is paying for it.”
”And that woman yesterday was your wife?”
”Bitsy?” He laughed. “Yea, she’s the best. And what a mother! Those are the luckiest kids ever!”
”Yes. Yes they are. And you are lucky, too.”
”You bet I am.”
Eve took his empty cup and turned back towards the house.
”Hey, Eve?”
She turned to face him.
”I’m glad you’re back.”
And she could tell that he was. It was such a little thing he said, to mean so much.
Riley’s Luck
Waking sucks. Riley would have preferred to keep sleeping forever, but his better mind cared little for his foolish desires, doing instead what it knows it must. Sensing uncomfortable situations that the light of day might expose his lids flutter themselves open, fanning Riley’s currently diminished spark of life with light. There are several good reasons for not waking, to include a pre-dawn, bone penetrating chill which works in tandem with the rhythmic pounding like waves of blood through his head, and the infantile demands of a handful of needy gulls whose cries are a reminder to Riley of his own currently empty stomach. Adding to this little list, as if there need be more, is the slippery grit of sand beneath him; cold, wet, uncomfortable sand that has worked it's way into his clothing and hair (among other cracks and crevices), and the sombering gray of an as yet sunless sky above. It is not even fucking daylight yet. Still, these pitiful reasons to continue sleeping pale beside the biggest and greatest reason for waking... that uncomfortable situation that the light of day might expose. Daylight is here!
From afar, even above the pounding waves, Riley hears the sound of happy laughter, of children excited for a day at the beach, children still too young to be ashamed of their being. The world is waking and so must he… wake the fuck up, asshole! There is a zipping of lights when he re-closes his lids, and a dripping of colors not unlike the paper-hit trails of his younger and wilder days that make the darkness uncomfortable. He wished that those things and his overall sourness would just stop trying to pull him away from the much desired seductress that is Sleep. But Sleep is vanished, just like everyone else. She has abandoned him. She has left him, and he must wake. “Fuuuuck…” groaning with the effort Riley rolls to his elbows for a look around.
The boy is nowhere in site, the child who had only yesterday set him on this demented quest. Riley is not sure of how to feel about that. The sea seems to have spitted Riley out in the exact same spot where he’d come upon the boy yesterday, although as far as he could see northward up the beach everything looked exactly the same, and southward too, so he could be wrong. Mirror trick-like, the wooden fishing piers disappearing in the gloomy distance are too similar to distinguish from one another on the one side of the white sand, while on the other side the same tourist taffy shops provided backgrounds for the same swim-suited joggers alongside the same trotting dogs with the same glistening lifeguards prying the same fucking, happy-assed umbrellas into the pale flesh of the same foot dimpled fucking beach. A gasp escaped him at the thought of the boy, a gasp that spilt a warm wash of seawater from his throat. Perhaps it had all been a dream? A nightmare? But another cough of seawater was enough to answer. It had been no dream. Riley reached for his back pocket. The bottle was gone, leaving him with absolutely nothing other than his sobering reflections on yesterday.
What miserable fucking luck Riley had, to wander under this particular pier, at this particular time. While some have the good fortune to discover treasure at the beach, and others love, poor Riley had only stumbled upon a boy. And not just any boy. This boy had been propped upright against a barnacled pillar when Riley chanced upon him. The first disconcerting thing Riley had noticed about the boy was his lack of arms, but as Riley drew closer it was with horror that he realized that what he’d hoped was an unfortunate illusion of liquor, shadow and sand was not, as it became evident to him that the boy had no legs either. Yet even without arms or legs the child’s eyes still blazed out from the cool, briny darkness of the pier’s underbelly with all of the passions of life. A look around revealed to Riley that no one else was nearby. Where had the boy’s caregivers gone? How had the youngster come to be in this hidden spot, and alone? The lad certainly hadn’t come here on his own? While contemplating these things Riley slipped the bottle from his back pocket and took from it a long, habitually thoughtful pull.
”Say kid, are you ok?” Even as he said it Riley realized the ridiculousness of the question. The boy had no arms or legs, how could he be ok? But then an even further horror was revealed when the boy attempted an answer, as to Riley’s absolute dismay a steady stream of gurgles and moans forced an awareness upon him that the boy had no tongue, either. No fingers to grab, no hands to clap, no arms to wave, feet to balance upon, nor legs for walking… and no tongue to complain about any of it, either?
Of all the fucking shit luck!
Riley’s first impulse was to run far and fast, as from a monster. He wanted away. What infernal luck had brought him here, he wondered? To this dreadful scene? Why him to stumble upon something so horrid? And what was he to do now, once here? Could he just walk away from something so pitiful, from someone so needful of help? But if he stayed, what then? He could not know what the boy wanted, or needed? He never could know, could he? Nor what the child was even thinking? Not ever, as the poor son-of-a-bitch could never tell it. A panic began inside Riley, subtly at first, a cold stomach knot which slowly as freezing water hardened across his gut. He looked around again, venturing out from under the pier as he did so, a little at a time. There must be someone nearby, so Riley called out. “Hey! Hello? Is anyone here?” And then louder. “There is a boy here… whose boy is this?”
A very few sun-glassed eyes turned his way, but those few only briefly, as the sun-reddened tourists were here for holiday, not drama. No one answered Riley’s hails, nor ventured forth to share in his dilemma.
And from the darkness below the pier shone a pair of eyes as blue as any ocean, their light a beacon to Riley; beseeching eyes, eyes abandoned by all the rest of the world. Riley found himself pulled back to the eyes by some unknown charity within him that he didn’t even know was there, that he wished was not.
Riley understood loneliness to some extent. The love of his life had recently chosen her boss over him, taking their son with her, and their home, and such a sizable chunk of Riley’s journalism salary that it hardly seemed worth showing up to work anymore, though surely he would be be sought out by the court system if he didn’t. Riley was really little more than a worker bee at this point, no longer working for himself, but instead slaving away for a queen bee who had betrayed him, for a son whom that woman was slowly turning against him, and for a man who was fucking that woman under Riley’s own roof while Riley made do on a fold-away YMCA cot.
Still, that he would be alright Riley knew with a certainty. He was drinking a little much, yea, but these changes were all so shocking and new, and so out of his control, weren't they? Riley slipped the bottle from his pocket once more and choked down another drag of liquid fire that neither helped his situation, nor made him feel any better.
Yes, Riley understood loneliness to some extent, but this boy… his was an altogether different sort of loneliness, was it not? His was a loneliness that Riley could not begin to fathom, a loneliness that would necessitate insanity. Surely there was nothing reasonable left behind those blazing eyes, that is if there had ever been anything reasonable behind them to begin with. There could be nothing, could there? Fuck! Heaven help the little fucker if there was even a trace of it. The only situation Riley could imagine being worse than stumbling upon this kid would be in being this kid. Of all the fucking luck.
The waves were creeping up now, lapping forth strands of sea-weeded yack towards the boy like frothy tongues. The last thing in the world Riley wanted to do was to touch the kid, but he had to, didn’t he? Should he not at least move him a few feet further away from the encroaching water? With his courage gathered, Riley‘s hands gripped either side of the lad’s torso, finding it surprisingly light, if somewhat top-heavy. Riley held it out at arm’s length, as one would a wild, captured animal, or a poisonous snake, but as the boy's eyes came up level with his own Riley could not help but see the panic within them.
"No worries, son. I'm just gonna move you further up the beach, away from the water."
But the panic in the eyes grew at Riley's words rather than dissipating, enlightening Riley to everything. Jesus fucking Christ, Riley thought to himself. The poor bastard wants to be here! The knowledge of it angered Riley. What the hell? Some son-of-a-bitch had carried this boy here and left him for the sea? Not even the plea in those blazing eyes could squelch the disgust Riley felt. What the fucking hell? It was not something Riley could ever do. And how could anyone have done so? If the boy had nothing else, he at least had that light in his eyes! And if the little shit wanted to kill himself he would have to do it on his own, as Riley wanted no fucking part of it!
But Riley was part of it, wasn’t he? And the kid couldn’t possibly do it on his fucking own, could he? Riley had not signed up for this shit, but he was the one who was here. And fuck the fucking luck that had brought him here, too! All he’d wanted was a walk on the fucking beach! Was that too much to ask for? Isn’t that what the beach is supposed to be for? A place to find a little bit of peace in this fucked up world? A place to sink your feet in the cool sand and forget it all? A place to stand and watch a brilliant, blazing gulf sunset and to just exist? Was it too much for Riley to have something nice for himself? A bit of fucking peace? Fuck all the fucking fuck!
With the boy still at arm’s length Riley began to cry. It was no little cry either, but was a great, sobbing cry which drew an expression of pity from the blazing eyes, a pity that made it apparent to Riley that there was indeed a bit sanity in there behind them. The boy felt. If nothing else, the boy felt, and knowing that he did was just about more than Riley could bear. This child with no appendages was feeling sorry for him?
And God damn it all to hell if Riley was the man to leave a boy to the sea. He just couldn’t, could he? But the boy was growing heavy, and when Riley finally placed him back in his spot it was in a puddle now. The sea was coming up! Dear Lord, what to do? Riley was crying again, but not for his own stupid luck this time. And the eyes were still pleading, and the sea was still rising, and the sun was now setting, and God was fucking smiling, so not knowing what else to do Riley sat himself down in the cold puddle beside the boy and took the child up. He pulled the stumps over into his lap before wrapping them up in his arms to wait. His arms pulled tightly around the boy’s torso breathed along with the body's lungs, and throbbed along with it’s pulsings, and languished with it’s sighs.
Curiously, Riley’s tears ceased. Oddly, he felt no need to reach for the bottle in his pocket. As the tide rose it was not water, but a strange contentment that flooded Riley over. And it was only then that Riley found the peace he had come to the beach in search of.
No, Riley had not been the man to leave a boy to the sea, had he? No… Riley had fucking stayed the fucking course, right alongside the fucking lad.
And thanks be to Heaven for that bit of luck.
Answering the Bell
Unnerved under the focused attention of strange eyes a tiny, tinny bell begins tinka-tink-tinkling somewhere deep in the folds of Leslie's brain, a bell so barely audible at first tinkle that it’s unwitting host continues her oblivious sleep, yet the teensy bell persists, slowly at first, though conscientiously, it’s angst and volume increasing as her nap continues, touching on nerves as it crescendos, releasing un-ignorable cortisols and adrenalines while prying it’s irksome self into her slumbering psyche.
Believe it. This hellish little bell is fucking relentless in its pursuit of duty.
Humans, no matter whose image we reflect, are biologically constructed. We are animals. Being at the top of the predatory chain does not change this fact, and being animals we are subjected to animalistic instincts, evolutionary warning signals which lie forever at rest within us, patiently awaiting their moments for usefulness. Unbeknownst to the napping Leslie one of these has awakened within her.
The year is 2041. Instincts no longer meeting her needs Leslie, like most women, has willfully glossed them over in favor of the pseudo-sciences of her day, and the pseudo-religions, and to her trust in civil obedience, but those primitive instincts have not abandoned her. Though tamped down and restrained there she has in no way eliminated them. The instincts are still alive, waiting as patiently as sentinels in the ignored solitudes of her loneliest outposts, hopeful for a moment to rise up and shine, heralding some unforeseen danger. For instance, when and if she might be alone and there comes that proverbial “bump in the night.” That time when Leslie’s better subconscious tells her it is only the wind, but something even further down inside the gray matter than that "better subconsciousness" whispers that, "No. That‘s not right… there is no wind,” until she is forced to test with a wetted finger and conclude that the air is indeed still. The instinct for survival is that warning voice she never wants to hear, the one which sparks that very first paralyzing, electrical tinge of terror down her spine as she walks unawares into the spider’s web, and that halts her breath even as it heightens her sensory perceptions. Were she a nineteenth-century man Leslie might have labeled this instinct the “Voice of God,” as it is the voice which emanates directly from some subconscious will that every living being must possess in order to perpetuate it’s own life.
Yes, Leslie sleeps, but it does not. In fact, the instinct is wide-awake now, having taken on the unlikely form of the annoying little bell. Not only is the instinct awake, it is becoming anxious. Being asleep, Leslie cannot be sure what it is happening inside her, though her eyeballs begin to follow the frenetic gyrations of the instinct, joggling crazily behind her closed lids as her brow begins to tic, and her fingers to spasm. The instinct knows it must somehow manifest itself, and it must do so quickly so that Leslie has time to avoid the danger that has sparked the instinct to industriousness. Therefore it invades her peaceful slumber in the form of an evil too horrible to be ignored, so that her dream is now a nightmare which she must awaken from. And so the tiny bell becomes a claxon inside her, creating chaos where restful order is desired, so that Leslie’s muscles subconsciously tense, her lungs expand in preparation of crying out, her eyes flare open and she is unpreparedly thrust into the wide awake, with the tinny-tiny bell having fallen as silent to her as though it never, ever was.
Herein, however, lies the problem with instinct, and the reason Leslie has eschewed it. Instinct cannot communicate forward from this vulnerable point. Leslie has awakened, but to what end? Seeing no immediate threat, her muscles relax. After what must have been a great while she finally exhales. “Ahhh… it was only a dream.”
But was it?
There is a moment as she gathers herself, checking that her surroundings appear as they should be. The train continues rocking beneath her, it's steel wheels clacking in time. Rural scenes still flash past the windows. A woman somewhere sneezes. Leslie’s bladder aches. she assumes this is the reason she has awakened, but before she can so much as think to rise she notices the man. He is looking at her from the seat opposite hers. Her tinted glasses have not revealed to the man that she is awake, nor that she is also looking at him. Duped by her camouflage neither of them are shamed as they should be, so his gaze does not cut away when her eyes settle on his. Leslie is relieved that the man’s expression portends no evil, rather his is a wistful gaze, still she does not like men, nor trust them, though she has admittedly known very few. Those men she had met seemed alright enough, she supposed, but she has been taught not to trust, and her teachers must know.
Leslie is a good girl… and was a good student all the way up.
The man is under double guard, as all men are. His guards are Amazon-like in their size and strength. Their prisoner wears the loose fitting, striped clothing of man. His legs are shackled at the ankle, his wrists cuffed to a chain about his waist. This one must be particularly dangerous, Leslie assumes. He must be, though she sees no indicator of how so, other than his eyes, which are still fastened upon her. She is becoming uncomfortable from them, somehow diminished, which is odd since he is the one who is bound. Shouldn’t it be he who feels weak? She should say something to the guards, so that they might force him to avert his eyes. Who does he think he is anyway, Leslie wonders, to stare at her as though she is the animal in the zoo, and not him?
Still, there is nothing malicious in his expression. It is as though he is lost in thought, reminiscing about some happier day, and it is only an accident that his eyes have trained themselves upon her as he does so. It is almost as though he is looking through her, rather than at her. She begins to pity his forlorn look, and his stripes and chains, but the sympathy she feels is short-lived, as it is quickly followed by that rising within her of that same frenetic energy which woke her from her nap, and which has set her once more upon pins and needles... tinka-linka-link.
“Careful, Leslie!” She reminds herself. “This is no lost puppy. This is a man!“ A pang of guilt flogs at her weakness. “He is the cause of all that is bad. The teachers all said so. Surely he deserves those stripes and chains!”
She wonders what horrible things this particular one has done to deserve enslavement, but then, she needn’t wonder. He is a man. It is enough. He would rape and kill, and lie and cheat for money or power given the chance. They all do. They always have. The books all say so.
Every man would be dead now if it could be managed, but it cannot. It has been discovered, like it or not, that some men are necessary, that some are needed to do those things that women will not, as it was found that even the strongest women, those women hand-picked for their size and strength and offered great reward for their service, those women still neither can nor will do the hardest, dirtiest work that is necessary to keep civilization from falling to disrepair. The women simply refuse, so some men must be kept, though the most rugged have long since been weeded out of society for safety’s sake, and only the softer, gentler ones tolerated. Yet, as will invariably happen with dogs and men, some of the stronger types have escaped into the swamps where they live like rats, hidden away from civilization.
But this one appears neither soft, nor gentle. Leslie has never seen his like. Barbarity is undoubtedly his crime. She wonders how one like him is ever caught? What could have lured him from the swamps, and into those chains? Rumor is that the men in the swamps have women, captured women. Could anything be more horrible, Leslie wondered, than a life in the swamps, subjugated by men? The thought brought a shudder. There was even unfathomable talk of women leaving the sanctuary of Orlando willingly, of their own volition, walking away into the wilds to never be seen again. Where could such an inclination possibly originate? How could anyone be so foolish? It angered Leslie to think that any woman could be so naive, so ungrateful. After all that had been done to rid civilization of man how could any woman with half a brain willingly leave their new and improved world to help re-propagate the patriarchy out in the wilds? Certainly, no educated woman would. As far as Leslie was concerned, she wished they’d just let the bastards die, already. Men frightened her. Especially this one, but as with any horrible, detestable thing she found her eyes unwilling to withdraw from it.
Yet this one also appeared immensely sad, didn’t he? And well he should, what with the future he faced. She supposed he was being taken for sperm harvesting first, and then he would be forced into labor, slaving in those unenviable jobs outside of the HeR Realm; plumbing, farming, roadwork, mining, rail maintenance… those jobs no self-respecting woman would ever be caught dead doing, no matter what pay was offered. The thought of doing such work made her grateful again for HeR! HeR was a godsend; employing all women, and treating every single one respectfully, with no real output required of any of them other than insuring equity, which though impossible was never-the-less an intriguing game to play.
Sperm harvesting? Leslie sometimes wished she had majored in bio-mechanics at University. She wondered how it was done, what sort of machine was used? And if not a machine, then what? Surely no self respecting woman was expected to coax it out? This one’s sperm would undoubtedly bring top dollar, as even from his sitting position the appeal of his stature was obvious to Leslie. He would tower over her if standing. This one even dwarfed the Amazon-like guards sitting at his sides. Leslie was unnerved by the realization that, should the man take a violent turn, even being chained the two guards would stand little chance against him. But then, that’s why the guards were armed, wasn’t it? To ensure no such thing would happen? Still, the prospect was frightening.
Though the man looked sad his face appeared strong, his features cut clean and his weathered hands veined with confidence and competence. Both his hands and face were unlike any of those she had ever encountered in Orlando. The one’s she’d seen were soft men, pretty men, making them singularly unattractive to Leslie, validating her choice of women for partners. The Orlando men reinforced her belief that men were just poor imitations of women anyways, and suited no purposes other than their muscular strength and their sperm… until this one. This one seemed different. This one looked capable… even dangerous. That thought stirred another instinct awake, another bell, heightening Leslie’s awareness and stimulating her pulse, though this survival instinct somehow felt different than the other, and clamored in different spots within her.
God, she needed to pee! But Leslie hesitated to get up with him watching her the way he was. What made him do that, anyway? She should say something to the guards, but what would she say? “Your man is looking at me?” Shit, she was admittedly as afraid of the guards as she was of the man. More-so really, as she had seen firsthand what the Orlando Guard were capable of. Could anything, Leslie wondered, be scarier than a large, testosterone infused woman with a taser and an attitude?
Regardless, she must go, and soon. But as she stood and started down the aisle the strangest thing happened. Leslie forgot how to walk. Or at least, while she napped her gait had somehow changed itself unbeknownst to her. She found her weight pushing itself onto the balls of her feet, which coerced an unbidden roll to her hips which, however embarrassing, once employed she was powerless to undo. She wondered if anyone noticed. She longed to look back, to see if the man was looking on, or if the knowing guards were smirking, but she defeated the urge and hurried along the best that she was able to under the awkwardly trying circumstances.
And the walk back from the restroom held more, even greater horrors. The more conscious of her gait she became, the more it changed. She was surprised to find her diaphragm sucked tight, and her shoulders peeled back so that her chest was thrust brazenly, humiliatingly forward. There was an agent checking tickets in the aisle, forcing Leslie to squeeze herself around the uniformed woman in order to get back to her seat, which was where she was when the train lurched slightly, tilting the agent into her and knocking Leslie into the astonished prisoner’s lap. Mortified, Leslie clawed to get up, but the agent was still there, blocking her path. Leslie fell back onto the prisoner, her bottom landing solidly upon muscle-hardened thighs which proved more than adequate to support her weight, solid enough in fact to jolt a panic through her. Forgetting that his hands were fastened to his sides she assumed the ones she felt grabbing at her were his, so she fought them. A desperate sound escaped her as she slapped uselessly at those unseen hands which were finally and gratefully able to catch her up, and to push her onward in the direction of her seat where Leslie kept her eyes lowered away from her humility, though it was unnecessary, as she was still wearing the dark glasses.
She wanted to look up at the man, but could not bring herself to. She wanted to read his face. Was he laughing at her? But she could not bring herself to because she could not stop thinking about how his lap had felt underneath her, how her softness had molded naturally and comfortably around his hardness, and how she had not been able to pull herself away from it. Had it been a lack of strength which held her there, or a lack of will? It had been as though something inside her longed to be where it was, and so had inadvertently devised a devious plan to place itself there, and which had then desired more time there once it’s plan had played out. This evil thought flushed Leslie’s cheeks, and was why she could not look the man’s way. It was just the sort of thought that got a woman exiled from Orlando, wasn’t it?
But she had to look, didn’t she? She could not stop wondering if he was looking at her, if he had felt what she’d felt… she didn’t know what to call it… a connection? Behind the dark lenses her eyes flickered only for the briefest second, just long enough for her to see that the man was still looking at her. Unmindfully, her posture stiffened and her legs crossed as she considered what that meant. If he was staring at her after what had happened then it was no longer mindless staring, was it? It was intentional, brash even. Her eyes flickered again, holding there longer this time. He was still looking.
Their eyes met. Even through the glasses they met. When they did, her hand surprised her by reaching up to her hair, tucking a loose strand behind her ear. “Whatever could have prompted that?” she wondered, her eyes averting for a moment before returning to his, suddenly afraid of losing them. They were desperate, his eyes. She could see the desperation in them... and the hunger. Yes, she could see that in them too, and in his body, the way the calloused hands manacled to his waist kneaded nervously at his thighs. The recollected hardness she’d accidentally discovered in those thighs started her chest to pounding, and her ears to pulsing. She could not look away now or else she might lose those memories and discoveries forever, and she did not want them lost.
This was ridiculous! Unable to meet his gaze any longer her eyes closed away from his only to allow her mind’s eye to take over, showing her what her sensory eyes could not, displaying for her the calloused hands in a different fashion; kneading her thighs now instead of his own, squeezing them almost to the point of pain before slowly releasing them, and then squeezing again before sliding down toward her knees, easing them slightly apart before sliding back up again slowly and ever closer to her, his thumbs on their insides squeezing, pushing upwards until they nearly, nearly touched her there… and always, always firmly squeezing.
Her eyes flared open at her audible moan.
Jesus Christ! What was the fucking matter with her? Leslie forced a breath, though her chest still pounded and her ears still hammered. She looked again, but this time it was his eyes that were closed. Leslie wondered what he was thinking, and if he was thinking of her as she’d been thinking of him? She noticed his hands, lying still now on his thighs, no longer kneading them. And she noticed that the stripes across his lap were stretched tight, and she was thankful for the dark glasses as she looked, and breathed, and pounded, so that no one could see her and know.
The train’s breaks squealed. The car lurched itself to a stop as a feminine voice oozed directions, always feminine. Her stop? But how could it? Hadn’t she just boarded?
She did not want to disembark. Instead she looked at the man who was looking at her. The desperation was still there, clinging to her from his eyes, and the hunger. And her heart still pounded her breast, and her ears still thundered, and the tiny-tinny bell was back as she rose, anxiously clamoring for attention as she and it watched the man slide from his seat to the aisle’s floor, catching himself there on a single knee, his eyes fixed on hers filled with noble purpose as he willingly submitted himself before her.
It was upon her own weakened knees that Leslie stepped down from the car. There was no longer thought of posture, nor gate. There was only emptiness. The train eased slowly forward before shooting ahead with a vastly unexpected speed and was gone, but for a reverberative clack issuing up from the rail’s steel.
Leslie felt no satisfaction that he and it were gone, and no joy in being home.
It was three blocks to the apartment she and Morgan shared, though it suddenly seemed much further away from the station than it ever had before. Theirs was an apartment just like everyone else’s, the same floor plan, with the same single bedroom and the same types of appliances. There was no need in the realm that was Orlando for larger apartments, as only those women in power could afford in vitro, and neither she nor Morgan wielded any power yet, though both worked dutifully for HeR, which of course was the power in Orlando. And while an Orlando man might theoretically have a baby, it was still impossible for two Orlando women to conceive, or two women anywhere for that matter. And for the first time ever Leslie felt a desire to conceive. More than a desire actually; a need. Before it was too late. A need which bordered on rashness; to feel a child grow within her, to hear its cry, and to suckle it. Her body literally tingled at the thought of it.
Across the tracks lay the swamplands, dark and foreboding. She had ever feared the swamps and those who inhabited them. It was a learned fear, taught since her youth, back when she’d been separated from her own parents and placed in HeR’s care, as all young girls must be at the same age when the boys are either “changed” or enslaved.
Leslie began her unwilling trek to the apartment which she, for some reason, was thinking of as “the apartment,” rather than as “her apartment,” or as “their apartment.” Today was Thursday. Morgan would be making her pasta. Leslie felt revulsion at the thought of the apartment, and at the thought of Thursday Pasta, and even at the thought of Morgan, though she did love Morgan. Really, she did. She loved Morgan very much! She only wished she were in love with Morgan, or with any other woman for that matter. Morgan had never made Leslie’s heart beat like the man on the train had, nor had Tracey before Morgan, nor Kim before Tracey. It was sad that a woman had never made Leslie feel that, but it was also made obvious to her today that one never could.
The swamp was right over there, only the train tracks and a small field of grass away. She could feel it watching her, the swamp, with eyes that made her uncomfortable, just as the man on the train’s had. Leslie was dressed for work, not the swamps, but if there was no one over there awaiting her then she would not survive anyways, would she? Leslie turned away from familiarity then, away from Thursday Pasta and, in answer to the tinkling bell inside her towards that which was different. Leslie veered slightly across the tracks, hurrying over the grassy area towards the tree line, afraid of her fear, afraid that it might stop her.
Leslie ran. She ran with the prescience that somewhere in those shadows a man awaited her, a man not unlike the one from the train, a strong man who would walk beside her, submitting himself to her if she would submit in kind. A man who would love her and hers, and protect them, offering them comfort and hope. A man unlike the ones she had been taught to fear.
And as Leslie ran the tinkling bell in the folds of her mind ceased it’s ringing, it‘s warnings no longer necessary, for up ahead the shadowy unknown tolled out to her a clearer premonition, one resounding with the safeties and comforts of Divine destiny.
Believe it. Leslie ran.