utopia
To cradle Perfection
in your hands,
and twist it into something horrible
between your fingers.
That is
my purpose.
I've come to destroy
Perfection,
although now that I have
tasted it
I am unsure
as to why.
This world
of no disease,
no tragedy,
no death.
Yet somehow it is vile,
as wrong as any
malformed world.
Even if I cannot
understand why,
I must destroy it.
That is
my function,
as if I am
a robot
programmed
not to care
about anything
but work.
Time travel
is messy,
and I, it's connoisseur,
assigned to wrangle it like
an unholy snake.
This world
is just another loose end
in the cosmos.
Still,
I must traverse its spread
before I end it.
A surveyor looking for flaws.
There are none.
It is a perfect world.
As I walk the streets,
they are lined with gold.
Neon lights without any of the pollution,
steam powered cars shining
with the hue of
a future we forgot.
Everyone is plastered with smiles,
the real ones,
not the mass-produced knockoffs
of the modern age.
One blink and I can admire the sea,
another and I can stare across
endless acres of green fields.
There is no hunger, no waste.
Not yet, anyway.
By the time I am through,
all of this beauty will be lost
and I will be the cause.
I should regret it,
should mourn the loss of this world
that no one else knows existed.
I should traverse every inch
of this masterful canvas
and take its secrets with me
into the modern age.
And yet.
When I walk the streets there are no vendors
peddling their handcrafted wares.
There are no murals adorning the walls
or ornate rugs hanging out of open windows.
There are no coffee shops
with local art hung on their walls
and hearts made in latte foam.
The smiles of the passerby
when they look at you
do not warm the heart
for you know that they don't see you.
Their smiles are permanent,
not a gift but an obligation.
Their verity does not increase their potency.
Faces and clothing are plain,
as there's no need for anything more.
Even the buildings have turned stale,
none of the ornate designs of old cathedrals,
nor the geometric asymmetry
of the modern age.
There are no
lovers' initials
carved into the doors of bathroom stalls.
And in a world without death,
there is already the telltale stench
of overpopulation,
threatening to pull apart this utopia
at the seams.
Eventually, they will be forced to invent death,
to crush down their population
under the guise
of safety.
And the people
will agree, readily,
because they no longer have
the ability
to be an individual.
When you are a collective whole,
there is nothing left.
When you are we,
there is no more me.
This world must be destroyed,
because suffering
breeds dissent
and dissent
breeds humanity:
without it,
we grow stale
in the stagnant pond
of our utopia.