Frustration - The Other F Word
I'm feeling freaking frustrated,
foes, friends, and family finding faults,
flipping fervor for fear,
while flattering financial feats fondle fiction,
foolish friction fraternize fair fantasies far from fantastic,
fire flamed filled fences,
forced father fatalities,
fetal fraternity facilities feeding feminist fish foods,
fingers forgetting fundamental functions,
fuel fees, frantic freeway flux, and fleeing focus fade frontal foresight,
false flight falling fifty-five feet fornenst a feeble fringe fathoming future fulfillment,
fist of fury fighting ferocious phenomena fending folding figures funneling flaky facts,
futile fashion, fruitless freelance,
frivolous frequencies flooding favorable fellowship,
fiending freakish foreign forsaken flavors framed in familiar fabric,
flying phobia, failing phobia,
forward footsteps filming the finale following frustration.
She saw sunsets - sparkling skies singing sweet symphonies, serenading souls. She sighed. Such simplicity, such serendipity spoken so silently, so strongly.
Songs swam softly. Sibylline stars stretched seaward, stealing sadness, stealing sorrow, stealing suffering. She stared serenely. She saw serenity. She saw subtle symmetries sliding, swinging surreptitiously. She saw secrets swiftly slipping stealthily, separating spiteful storms.
Sometimes, she saw several scenarios simultaneously, saw sympathy sprouting stoically. Surely society shall succeed, shall surpass superfluous solidarity. Steadfast surveillance should soothe suspicions - so she solicits.
Solemnly, she stood straight, saluted Socrates' sagacity, saluted sentient sacredness. Somehow, society shall succeed - so she speculates.
Should she surmise something so shaky? Should she sanction systemic submission, subsidise servility shamelessly? Should she surrender satisfaction so swiftly? Seek sycophants? Slyly side swipe sobriety?
Shhh. Such stupid, sneaky suppositions. Stop. Stop subjugating suppression, she says. Stop shrouding snakes, stitching shadows, sheltering sin so stubbornly. Shirk savagery! Seek sangfroid! sensitive, subaqueous striations. Scintillating shimmers shall suffice.
Stalk Sigmund, she says. Study splendid sweet sparks, succulent sweethearts. Stargaze, sublimate saints. Sing songs, strum strings, show solicitude. Shine significantly. Secure sanguine smiles.
So, subsequently, society shall succeed. Surely, someday.
So she'll still see sunsets, still see sparkling skies singing sweet symphonies, serenading souls simplistically, silently, strongly.
Aloha amateurs, anticipate an articulate alliteration. Any artistic author always aims at acquiring awards and almost always achieves actual acclamation, and advantageous approval. Applicants' accomplishments avidly acknowledges ability and academia alike. Apparently appropriate arguments accompany abstract. Authorship attracts apprenticeship. Abundant aesthetic animation advertises advanced art. Autonomous agents attempt against another. Artists apply an admissible attractive afterthought. Applaud all amazing adherence, admittedly absurd. Alas, aspire again, avoid anger, adopt admiration.
GOOD GOLLY GRACIOUS!
Gabriel Gaston’s glib goat, Giddyup,
gaily gulped gluttonously
green, goopy, grandiose guavas,
glibly gobbling grabbed goodies,
gamely, gawking, giggling
gloved gaudy geckos
gizzards gushing goodbye;
geeky, gangly grazing grub gangs
gamely gummed, glugged glob gruel,
going, going, gone;
great gauzy, guarded
glacial gazebos grew gated
greasy green galactic gardens;
gassy gophers grinned gamely
gashing gross garbage glumly,
guzzling gluey gumbo gravy;
gallons got gamey, greasy;
gleeful greedy gerbils
grabbed gritty, gunky grains,
ghastly, gaudy gators
groveled, gored ghouls;
gluttonous greedy gibbons
good, golly gracious;
guy guppies goaded,
grabbed gong gizmos;
glitzy, gutsy glowing gull guests
gradually glided glimmering;
gimpy grouchy geeky geezers
gravely gasped gas
Great golden goldfinches
gagged, gaped, grunted,
grand glorified gazelles
groomed girdles glamorously;
grinning gorilla gladiators
grimaced glorified gusto;
gruesome gnus groaned
gritty, gutsy groundhogs
gripped gouged gutters,
garbed gossamer gilded geese
gobby guano glazed
grainy ground gradually;
groped grass gruel glibly;
glimmering glowworm gawked,
gleefully glistening garishly;
gruesome ghost gals
garbled goals grudgingly;
gregarious guided geldings
grazed gulch grasses
glassy-eyed guileless grizzlies
guiltlessly grab great
gimpy groveling gerbils,
galaxy gathered grandly
If I invoke impudence, it is ignorance I indulge insofar I'm immensely interested in impressive idiosyncrasies involving inclinations into innovative intercourse, investigating intriguing intimate information involving imaginative individuals in infatuations incorporating immoral, ignominious, insanely intense invasions into impregnable, inner inlets inside impenetrable inamorata--inconspicuously incognito--including idiomatic innuendo, indelicate ineffability, immodest indecency, impure impropriety, inspiring inventiveness, ingeniously inciting incentives--insatiably incessant, incessantly insatiable--inasmuch it is inevitably implied in important, indiscreet, illicit invitations, I imagine.
Tyrants’ Tea Time
Two terribly talented tyrants took time to type tweets 'til twelve Tuesday, telling trillions to: tantalize toppled telecasters trying to trample Tucker Tapper's time-tested, trustworthy truth-telling talents; turn towards television teams telling technically true tales; take turns telephoning top trixters' telecommunication teams to trick traitors towards telling troubled teens taking treks to Texas to turn toward Trenton; text twenty-two travel trailer towing tips to Ted Turner's twin Tad; try to temporarily trap traveling transgender terrorists trying to trick tinklers 'til TSA trainees take technical training; trade Toyota Tundra trucks to tout tough, tax-tripling tariffs; then they took turns trading tremendous tryst tales 'til tea time.
An Amazing Alliteration About Alliterations And Alliterative Additions About A’s.
Amazing alliterations about alliterations and alliterative additions are always awesome. Anybody and anyone always allows alliterative additions, and any and all awesomely and abstractly aware authors always arguably agree any and all alliterative additions are always acceptably, accommodatingly, and aesthetically accepted and allowed. Arnold "Angry Arsenal" Andromeda, an acutely aggravated and absurdly abstinent Abkhazian and Algerian academic anthropologist above Abated Al's Automated Auto-shop, an altruistic auto-shop always aiding ailed animatronics and abandoned animators, at Anthropology's Absolute Academia, an anthropology aficionado's area about academics, around Auburn, Alabama, America, always altruistically asks about any and all abstractly arousing alliterative alterations announced, adds abominably abrasive and amiably abnormal accomplishments and accolades anytime and anywhere, argues about abstract anachronisms, aims abusive and abrupt accusatory attacks at an abandoned archaic alliterative anthropology answering amazingly awesome acclamations, always acknowledges any and all antagonistic adversaries adequately, and always accidentally, admirably, and amazingly assembles awe-strikingly accurate and adequately acceptable alliterative additions afterwards. As Arnold "Angry Arsenal" Andromeda attacks an alliterative anthropology, Annabelle-Amelia "Angry Aerobic Animal" Adlington, an angry asymptomatic acrobat always answering anomalies and asking amazing accusations, angrily and abrasively attacks and angrily and abrasively assaults Arbop "Alien Ambassador" Aqaska, an affably awestruck alien always ambitiously aiding ample animals, and Arguik "Asymptotic Allocator" Azrodia, an affably awestruck alien always ambitiously assailing and assaulting any animators, as Arbop and Arguik amiably admire Arthur "Anarchy Ace" Anteater, an actual airborne Australian anteater, angrily and analytically abolishes aggressive and awe-inspiring anachronistic anarchies across Auburn, Alabama and any and all affiliated amateur amphitheaters around. Also, after Annabelle-Amelia "Angry Aerobic Animal" Adlington assaults Arbop "Alien Ambassador" Alaska and Arguik "Asymptotic Allocator" Azrodia, Alex "Arch Ace" Albuquerque, an armless archaeologist always adventuring across America, asymmetrically accompanies Angry Ant Alliance Association, an angry ant army, as Arthur Anteater absentmindedly attacks Auburn's anarchies. Ants and anteaters are arch-nemeses. Archaeologists and aliens are allies. Also, aliens and acrobats aren't allies. Accordingly, acrobats and archaeologists aren't allies. Angry Ant Alliance Association aims armed attacks at Arthur "Anarchy Ace" Anteater. Arthur "Anarchy Ace" Anteater also aims aggressive attacks at Angry Ant Alliance Association. Alex "Arch Ace" Albuquerque assails Annabelle-Amelia "Angry Aerobic Animal" Adlington. Arbop "Alien Ambassador" Alaska and Arguik "Asymptotic Allocator also attack Annabelle-Amelia "Angry Aerobic Animal" Adlington. As an angry ant army attack an airborne anteater, and an armless archaeologist and assorted alien aliens attack an acrobatic acrobat, acutely aggravated and absurdly abstinent Abkhazian and Algerian anthropologist Arnold "Angry Arsenal" Andromeda ambles around Anthropology's Absolute Academia as Arnold's actually an Austrian astronaut. Austrian astronaut Arnold "Angry Arsenal" Andromeda's actually actuating anarchies across Auburn, Alabama, Australia, Austria, America, Algeria, Argentina, and Azkaban as Arthur "Anarchy Ace" Anteater abolishes anarchies. As all agree, Arnold "Angry Arsenal" Andromeda's ambiguous adventure's actually awfully abstract and ambiguous. As any and all authors, anthropologists, and aliens agree, alliterative additions are an amazing amalgamation always acquiring additional adverbs, adjectives and anything accordingly. As an alliterative ambassador acclaimed, "artificial amateurs aren't at all amazing." Accordingly, actual alliterators add awe-inspiring adverbial and adjectival additions and alliterative amateurs aren't as amazing and actually add awful adverbial and adjectival alliterative additions. Alliterative additions aren't abridged accessories and aren't aesthetic accents. Alliterative additions are adhesive advantages and amazing advancements arming astronomically almighty artistic alliterative anecdotes. Any and all additional alliterative additions about alliterations are always appreciated, and any and all aggressive aggressions are abandoned as always!
Sitting still so some solitude settles, Salome speaks.
Susannah swallows some Syrah. "Sorry?"
"Stay," says Salome softly.
"Supper’s soon," Susannah says.
"Suppose Samuel stumbles..."
"Silly," Salome soothes.
"Sex surprises some spouses, ’specially since Samuel suspects…"
"Samuel suspects some standard, sultry situation," Salome says sternly.
"Surely..." Susannah starts.
Salome stops speech — soft shapes strategically stroked, sweetly smothering Susannah’s solicitude.
Subsequently, Susannah succumbs. Salome smiles smugly, stroking Susannah’s supple sun-striped silver skin.
"Samuel," Susannah sighs suddenly.
Salome stills. "Samuel?"
Susannah stirs, satisfaction spoiled.
"Samuel?" Salome sibilates.
"Salome," Susannah says.
Salome’s secret sphere shatters. Samuel sullies something special.
Simple solution, Salome supposes.
Samuel scales stairs, stops -- something serious, something suspicious, something sinister...
"Something," says Sergeant Simmons.
"Senseless slaughter," says Sister Sarah somberly.
"Stabbed," Sergeant Simmons says, studying Samuel's stiff.
Sister Sarah sighs sadly. "Slaughter sprouts such sorrows."
"Simply sinister," says Salome, slyly. "So surprisingly savage."
"Sinful," says Sister Sarah.
"Suspicious," says Sergeant Simmons, studying Salome.
"Sad," Salome says simply.
Simmons suspects Salome’s suffering’s spurious. Salome simulates sobbing, seeks Sister Sarah’s sympathetic support.
Simmons supposes sinners slip sometime: strategically scrutinizing stories starts spilling secrets sinners safeguard.
Simmons sits. Salome’ll slip soon. Simmons’s stoic.
Simply sinister, Salome’d said. So surprisingly savage.
Simmons sees Susannah spread -- silent.
"Strychnine?" says Sergeant Simmons.
"Strychnine," says Stephen. "Swallowed."
"Spasms, seizures. Slightest stimulus strengthens spasms," Stephen says, scrubbing scalpels, slab. "Suffocation stops sentience."
"Scarcely," says Stephen.
"Strange," says Simmons.
Stephen stops. "Servants," Stephen says, "sometimes snuff squirrels. Strychnine’s simple — standard solution."
Simply sinister, Salome’d said. So surprisingly savage.
Spasms, seizures, suffocation. Simmons sits, significant specifics silently spurring succeeding steps. Salome’s sinful, sordidly slaughtering Samuel, Samuel’s Susannah.
Salome’s sin’s surfacing — soon Simmons’ll seize Susannah’s sinner.
TERRENCE THE TIMID TURTLE
Terrence, timid towards the tortoise tyrant Theodore the Twentieth, traversed Titan's terrain, treading towards the tall Trinity towers, through the two tungsten tombs that transcribed Turbos the Terrible's transcendental theology that 'twined Tyrone the Technomancer's three trustworthy teachings together, then through the terrifying thunderous tundras towards Titan's topmost tips, till the trembling turtle trudged towards the Titanic Tree that, through Terrence the Tough's tiny talkative talisman, taught thousands to tactfully tussle the Tyrant's totalitarian terrors, terminating Theodore through thievery, then tanks, then torture!